When it comes to the great British pianist Dame Myra Hess, two points are among the most shared: her wartime concert series at the National Gallery in London and her arrangement of Bach’s beloved chorale prelude Jesu, Joy of Man’s Desiring.
It is a tremendous blessing that recording technology has allowed the playing of great musicians of the past to be preserved for future generations. In some cases, we are able to hear performances that came perilously close to disappearing into thin air and which now form the foundation of a musician’s current reputation. One such case is the remarkable Chilean pianist Rosita Renard, whose only Carnegie Hall recital – in 1949 – is justly considered legendary and is a milestone of recorded pianism.