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Anca Elena in Personal Piano Project

Vingt Regards sur l’Enfant-Jésus

#5 – Regard du Fils sur le Fils

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Vingt Regards sur l’Enfant-Jésus by Olivier Messiaen

“At the origins, this work had to accompany the poems of Maurice Toesca, La Nativité, a project for radio. Playing Vingt Regards sur l`Enfant – Jésus, I imagined the words which could follow the music, the voice of the actor reading the poems, the atmosphere of Christmas, people after the 2nd World War listening it to the radio like a ray of hope after so much craziness of destruction.

The violence is present also in this cycle, a terrible and extremely one. Jesus himself was a victim of it. In Regards we find the chaos before the creation, but also the tenderness of the motherhood, the image of a sweet sleep of Child Jesus, the wonderful freedom and joy of birds… And after all, in the end, Messiaen shows us the Christian window for peace and freedom, which is love.”

Anca Elena.

Anca Elena and Pianists Corner offer you a rendezvous every two weeks. Each rendezvous will contain one Regard. The first episode will be released first week of December.

#5 – Regard du Fils sur le Fils

“Mystère, rais de lumière dans la nuit – réfraction de la joie, les oiseaux du silence – la personne du Verbe dans une nature humaine – mariage des natures humaine et divine en Jésus-Christ …”

“Mystery, rays of light in the night – refraction of joy, the birds of silence – the person of the Word made flesh – union of the human and divine natures in Jesus Christ …”

Olivier Messiaen.

Autel de l’église de la Trinité, © Raphael Wertheimer

“There is something hypnotic in that piece, something huge and very stable, the eternity itself. Regard no. 5 is growing up on only one theme, the Theme of God, played very slowly from the beginning till end. Just one theme for a single piece ! No development, only birds over it which are singing freely. The birds of silence appear like a rhythmical canon sounding as Chinese bells – in first section. Three tâlas compose every plan, repeated obsessively, in a pedal. In the second section the birds are really speaking in a wonderful ‘oiseau’ rhetoric.

Memorizing this piece was a challenge, everything and nothing was the same… Till I understood that it is a work of rhythm and colour. Going more on this way, I discovered a temple of beauty! So I had to let the music to exist freely, without my obvious implication. I was just an observer, listening the vibrations of sounds and their mysterious power.”

Anca Elena.

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